Today’s topic: violence. Yeah, sure we can say a lot about violence. In a certain sense if violence didn’t exist cinema would be running short of movies. But by violence I don’t mean Lethal Weapon, Beverly Hills Cop or Rush Hour 2 type of violence. Why not? Well, violence has its own, specific voice and one of the most famous directors still hot in the business can be called the Godfather of violence. That man is Quentin Tarantino.

Violence can be shown on film in many different ways. Very often it’s vulgar, over the top or even madly sadistic. It can look childish like Jackie Chan swinging his fists at a pack of thugs or even Bruce Willis jumping through a window firing two revolvers and a shotgun at the same time, yet it still is the same old stupid cliché. What stands out in Tarantino’s films is the way he deals with portraying in an elegant, meaningful way the bloody art of violence. In fact, when you all hear the name, Quentin Tarantino, what do you think of? Let me guess; the bloody opening to Reservoir Dogs, or the famous quote from Pulp Fiction “Oh, man! I shot Marvin in the face!”, or the Crazy 88 stand-off in Kill Bill Vol. 1, or the Jewish scalp hunters from Inglorious Basterds, or even the monumental finale of Django Unchained? 

Can it get any more violent?
Can it get any more violent?

The point is this: Tarantino can paint with violence. He can create images so gory, so gut wrenching yet always pleasant to look at. Perhaps it’s his delicious, suspenseful dialogue that keeps us glued to the screen. Or perhaps it’s his ability to pay tribute to his favorite directors in a very fun way for the viewer to enjoy. Or perhaps it’s his memorable characters that we love and follow anywhere be it the moody Mississippi or the French farm fields. He can easily turn a scene upside down from what we’d expected and still get away with it. Remember the scene from Inglorious Basterds that takes place in a cafe called La Louisiane? The scene starts off in a very innocent manner. The Jewish rebels, dressed as Nazi officers, are supposed to meet an informant who will give them key information for their next mission. Little details, like a German soldier having a party because of his son’s birth, or the card game organized by some of the customers, or even the sawed off shotgun kept under the counter by the suspicious bartender, all of these elements manage to have an impact on what will follow. Bloodbath. That’s right. Unexpected bloodbath. But with Tarantino, the bloodbath isn’t a simple bloodbath. It’s a classical western stand-off, where two rival sides are waiting for the right moment to act and when it’s on… well, it’s ON! Guns go off, people die.

You never know what's about to happen.
You never know what’s about to happen.

But how in the world can Tarantino get away with it? Why can he create such weird, unique situations and end them the way he does? Well, I know for a fact that the writer-director doesn’t like when people go sniffing around his work, trying to crack open his words and I understand that. I do.  However, sometimes I just can’t resist.

Tarantino is known for being a strong gun-control supporter and a man who’s against drug use. You wouldn’t know that if you were basing your information on Pulp Fiction or Death Proof. But, that’s the truth. In his movies, this is how I interpret his work, Tarantino shows us that no matter how odd, how regular, how ordinary we and our lives are, anything can happen. Kill BillBride at the beginning of the movie is a simple woman who wants to get married, have a family, watch her child grow, and then what happens? Her wedding turns into a massacre and she, on the other hand, becomes a highly trained assassin who wants revenge at all costs. This is Tarantino’s trademark: life’s oddities. Violence can become anyone’s hobby. We can walk down the street, catch a bus, go to work, or– we can go to a biker club and start a brawl, ending up in the hospital at the end of the day. The titular character from Tarantino’s Jackie Brown is a working class black woman caught up between an evil arms dealer and two annoying cops. To get back at her rivals, she becomes a determined con with a plan that only she knows to perfection. That’s that. Easy, right?

Don't mess with Jackie.
Don’t mess with Jackie.

And in fact, this is what it’s all about. Violence is not supposed to be considered as a brain-dead excuse for making a movie. It’s not supposed to be treated with disgust and anger. It’s a part of life. It’s something that takes place all over the world. It’s something we can all relate to, because when it comes to what’s important and worth the struggle, we all act.

Violence is the unexpected, the great mystery that keeps poking our world. Deal with it.

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