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Letters from Iwo Jima: How Clint Eastwood deconstructs the enemy
When American Sniper was released in 2014 and went on to become one of the highest grossing movies of all time, many people were quick to dismiss Clint Eastwood’s movie as a needless glorification of American imperialism and gun culture, associating the American icon with jingoistic ideology – when in fact, the film was a…
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The dog-eat-dog mentality of David Mamet
Long before becoming a deranged FOX News personality, David Mamet was arguably one of the most unique voices of the American stage. His plays defined a certain kind of dog-eat-dog mentality that permeated the rising capitalism of the late 1970s and early 80s, with hits like American Buffalo, Glengarry Glen Ross, Speed-the-Plow as well as…
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The troubled spirituality of Krzysztof Kieślowski
If there is one filmmaker that speaks to me on a spiritual level – who is able to connect with my thoughts, frustrations, passions and speak to my deepest fears and regrets – it is Krzysztof Kieślowski, who with his premature death in 1996 left an insurmountable void in the cinematic landscape. Kieślowski’s movies were…
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The blue-collar swagger of Bruce Willis
When at his peak, Bruce Willis was the guy we all knew from somewhere busting people’s heads, sarcastically shrugging his shoulders and smoking a billion cigarettes with that trademark grin of his, the one that suggested his characters were mostly losers with a good heart, losers who, if given the chance, would take one last…
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Mamma Roma: Pasolini’s tribute to motherhood
Few artists were able to stir the crowd the way Pier Paolo Pasolini did. The Italian artist from Bologna – who, when asked what people should label him (poet? filmmaker? novelist? revolutionary?), simply replied ‘writer’ as in the one who was put on this earth to chronicle the lives of others, the less fortunate ones,…
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Holy Smoke: The power dynamics of Jane Campion
Given the overwhelming success of Jane Campion’s latest movie, The Power of the Dog, which through its world-wide Netflix release managed to find its way into the mainstream and earn 12 Oscar nominations, I decided to look back on what is arguably Campion’s least known work, Holy Smoke; a real oddity in a director’s filmography…
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Badlands: Deconstructing the myth of America
It’s easy to pinpoint nowadays the moment American cinema began to turn things around in terms of themes and subject matters, when filmmakers let loose their anger and frustration at society as a whole with movies like Bonnie and Clyde and Easy Rider re-inventing the gangster and western genre and adapting it to the times…
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The Hand of God: Paolo Sorrentino celebrates family, cinema and perseverance
Movies can save you. They certainly saved Paolo Sorrentino, the Oscar-winning Italian filmmaker of The Great Beauty. In his latest film, The Hand of God, Sorrentino confronts his own past, a past tied to the city of Naples, Diego Armando Maradona and cinema. For a director whose movies have often revolved around vast themes such…
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Before Sunset: A recipe for the perfect sequel
When telling the continuation of a story, movies often find themselves in the awkward position of having to cover all over again past events for those that may not have seen the previous chapter, and simultaneously drive the actual story forward. The whole endeavor can be problematic: juggling too many storylines, subplots and characters tends…
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About Elly: How mundanity turns into a nightmare
Scary season is upon us, that time of the year when people enjoy being spooked by their favorite movies. Personally, this time around I decided to revisit a film that stopped me in my tracks after first viewing it. It gave me chills despite being a regular drama about regular people. Asghar Farhadi’s About Elly…
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